![]() ![]() ![]() Or, you could use one compressor early on in the chain just to tame peaks gently, and then another that's completely squashed, but mixed in parallel, via the mixed slider to taste.ĩ. Then throw an optical or vintage style compressor afterwards to smooth everything out and impart a vibe on the vocal. Try using a quicker compression style, like digital mode, with high ratios to tame some of the peaks. Let's say you're dealing with an especially dynamic vocal performance with a waveform that features loads of peaks and valleys. Now you can use the second EQ to boost and enhance aspects of the vocal with peace of mind that you won't be bringing up any harshness, because you've controlled that with EQ number one.įor compressors, two can definitely be advantageous to one. ![]() Making this task especially easy is the EQ Follow Mode, whereby extending the partition and hitting the frequency icon, you can now attach a band and have it follow around a harsh frequency as it moves throughout a vocal performance. With the first EQ, you can tame and soothe harsh frequencies. ![]() Two EQs gives you lots of flexibility for controlling and enhancing your vocals. ![]()
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